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Saturday, October 10, 2026
Happy Report Arnhem

Dance Luminary Matthew Ball on Demanding Parts and Social Media Attention: 'I Don't Feel Precious About My Body'

Within the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is effortlessly upright, his arms muscular beneath a simple white T-shirt. During performances, dancers can appear as mighty gods, yet frequently in person they are small. Not so Ball, whose tall stature is one reason for his popularity for princely roles and pas de deux work. With delicate features and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal ridicule for his childhood interest in ballet. Entering the esteemed training institution at 11, he graduated directly into the troupe and was advanced each year, reaching the top rank of lead dancer in 2018. He has loved taking on substantial characters, particularly the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

Ball's upcoming featured role is as himself, in an "In Conversation" series aiming to offer intimate perspectives into a dancer's art. He will walk the crowd through a part, demonstrating his cognitive process while performance. Even in lighter ballets, the challenge is profound. "A classic ballet is one of the most demanding technically," he notes.

The Psychological Game and Post-Performance Feelings

How does he feel following a performance, when he has succeeded? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel self-conscious later. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer once remarked on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Creative Influences

Ball's tenacity stemmed from early experiences. Not doing well in competitions at school made him "driven!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own dance works. For Ball, "there's nothing wrong with." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing inspiration from books, music, and painting.

Intimate Performance and Private Dynamic

He additionally favors presenting dance in smaller venues. "It was just really exciting," he says of a past experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created duets with his girlfriend, fellow principal Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." They are not usually paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite supporter."

On Social Media and Bodily Image

On Instagram, followers can see videos from his projects and photos that highlight a sculpted physique. Does he mind that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be seen on multiple ways.

Ball describes his younger self as "eager for success." Has it met his hopes? "I feel very aware of how reality is a separate reality to the dreams you made as a child," he muses. He likely has another decade of dancing ahead. "I guess in the future, I want to be a bit more kind with myself."

The writer

Michael Russell

Emma is een lokale journalist en fervent ontdekkingsreiziger die de verborgen pareltjes van Arnhem blootlegt.

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